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Archive for November 2nd, 2009

Guns, Germs, and Bikes

I was struck recently, as I read David Byrne’s The Bicycle Diaries, by this passage, which refers to the author’s time in Buenos Aires:

Built on the floodplain of La Plata River, the city is fairly flat, and with the temperate weather and the streets more or less on a grid it is perfect for cycling around. Despite this I could count on one hand the number of locals I saw on bikes. Why? Would I inevitably find out the reason no one else was pedaling around here? Was there some dark secret explanation about to pounce on me? Am I a naive fool? Is it because the driving is so reckless, the theft so rampant, the gas so cheap, and a car such a necessary symbol of status? Is it so uncool to ride a bike here that even messengers find other ways of getting around?

I don’t think it is any of those reasons. I think the idea of cycling is simply off the radar here. The cycling meme hasn’t been dropped into the mix, or it never took hold. I am inclined to agree with Jared Diamond, who claims in his book Collapse that people develop cultural affinities for certain foods, ways of getting around, clothes, and habits of being that become so ingrained that they will, in his telling, persist in maintaining their habits even to the piont of driving themselves and sometimes their whole civilization to extinction.

I’ve not been to Buenos Aires, and it would certainly make an interesting South American point of comparison to, say, Bogota, where an activist mayor and many others helped to transform cycling in that city (and did I just read that Santiago is pursuing bike lanes rather energetically?). But it is an interesting question: The mixture of infrastructure, social norms, behavioral change, incentives, and whatever else is needed to get a bike culture off the ground. After all, as Mikael has noted of Copenhagen, for example, these things are not necessarily a fait accompli; Copenhagen could easily resemble Madrid or any other more auto-intensive European capital today were it not for a set of discrete historical events — and ongoing campaigns. Any cycling Porteñas happen to be reading and care to comment?

I thought of this again recently when an old chum from Portland, Steve Johnson at PSU, sent along his interesting essay on the prehistory of Portland’s bike renaissance. In the early 1970s, for example, he writes: “Sam Oakland estimated there to be about 400 people riding bicycles into downtown Portland on a daily basis (Frazier, 1971).” The number over the Hawthorne Bridge in 1975? 200. It’s a bit higher than that today, and the piece chronicles the long story of bureaucratic finagling, community activism, the endless hours of debates — bike lanes or bike education? — the entrenched opposition, the long miles traveled, etc., that have all led to this historical moment.

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Posted on Monday, November 2nd, 2009 at 2:14 pm by: Tom Vanderbilt
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Shibuya Circus

London’s Oxford Circus is one of those Yogi Berri-esque ’so popular no one goes there anymore’ sorts of urban spaces — I once did a little bit there for the BBC with Scottish-Sikh funnyman Hardeep Singh Kohli on “pedestrian rage” on the overcrowded street. It’s just gotten some relief in the form of a diagonal crossing (i.e., “scramble”), modeled on the crossing at Hachikō Square in Shibuya, Tokyo, a place one can easily lose a few hours just watching the action from a nearby donut shop). The video above describes the dynamics and shows the “before.” The impressive “after” can be viewed here.

Notes the BBC:

In homage to its Far Eastern inspiration, Mr Johnson struck a two-metre high cymbal as Japanese musicians played taiko drums.

A giant X, in the form of 60m (196ft) of red ribbon was also unfurled by devotees of cult Japanese Manga characters dressed in colourful costumes.

As with elsewhere in the city, pedestrian barricades have been removed (”giving shoppers and workers that visit annually around 70% more freedom to move,” notes the BBC).

I don’t know precisely when the first diagonal crossing was unveiled, though its popularity is certainly linked to Henry Barnes, NYC’s former traffic capo, who first unveiled it in Denver (where it earned the name ‘Barnes Dance’; he himself noted it had been tried elsewhere previously).

Here’s Barnes from his memoir, The Man with the Red and Green Eyes:

As things stood now, a downtown shopper needed a four-leaf clover, a voodoo charm, and a St. Christopher’s medal to make it in one piece from one curbstone to the other. As far as I was concerned–a traffic engineer with Methodist leanings–I didn’t think that the Almighty should be bothered with problems which we, ourselves, were capable of solving. Therefore, I was going to aid and abet prayers and benedictions with a practical scheme: Henceforth, the pedestrian–as far as Denver was concerned–was going to be blessed with a complete interval in the traffic signal cycle all his own. First of all, there would be the usual red and green signals for vehicular traffic. Let the cars have their way, moving straight through or making right turns. Then a red light for all vehicles while the pedestrians were given their own signal. In this interim, the street crossers could move directly or diagonally to their objectives, having free access to all four corners while all cars waited for a change of lights.

It’s hardly common, but does pop up in places with extraordinary pedestrian volumes or some other special circumstances, as in the historic-entertainment district of San Diego, where fellow INFORMS attendee Sean Devine snapped the photo below (alas, I didn’t experience the crossing myself, as I was out looking at seals).

Here’s another one, in Toronto, captured in time-lapse glory.

Scramble from Sam Javanrouh on Vimeo.

(thanks James)

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Posted on Monday, November 2nd, 2009 at 8:13 am by: Tom Vanderbilt
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Traffic Tom Vanderbilt

How We Drive is the companion blog to Tom Vanderbilt’s New York Times bestselling book, Traffic: Why We Drive the Way We Do (and What It Says About Us), published by Alfred A. Knopf in the U.S. and Canada, Penguin in the U.K, and in languages other than English by a number of other fine publishers worldwide.

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